If ever there has been a subject in photography that is more polarizing than HDR, I surely can’t think of what it is. Okay, the film versus digital debate still rages in some camps but HDR has pretty much replaced it with everyone else. If you have any doubts, check out these blog posts by my buddy Rafael Concepcion and Photographer Jim Goldstein. In fact Jim’s post was made back in August of 2007 and continues to elicit emotion responses to this day (83 and counting). As someone that is pretty well versed in the High Dynamic Range process, I feel that it definitely has a place in the photographic tool bag. First, let me say that how someone applies HDR processing is a personal preference, which can be as heavy or light-handed as they so choose. I actually like to use it with a heavy hand when I’m going for a more illustrative look to my images. There are, however, ways to use the HDR process with a lighter, more photographic look that can be helpful in overcoming difficult lighting situations. Take today for example.

With HDR left, no HDR right
I had a little extra time in my day so I took a side-trip to the Phinizy Swamp nature park in Augusta, GA. As you might imagine, shooting in the middle of the day in Georgia can be pretty harsh, with extreme values in the highlights and shadows. By utilizing multiple bracketed exposures, I was able to maintain detail in both the shadows and the highlights without sacrificing either of them. Because things were so bright, I shot a 7 exposure bracket which ranged from -3 to +3 EVs. I then used four of the exposures to create my HDR file (-3, -1, +1, +3). I used Photoshop to create the HDR file and then tonemapped it in Photomatix 3. Finally I brought the image back into Adobe Camera Raw and then Photoshop for final processing. I also selected the best image from the bracketed shots and processed it in Camera Raw and Photoshop to get the best possible result I could using just a single exposure. And while it’s not bad, it didn’t have the tonal range of the HDR file.

HDR left, no HDR right
The next time you are challenged with a harsh lighting location, consider using the HDR process to tame your shadows and highlights. Then take it any which way you want to go. After all, it is your image.
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