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My Disclaimer – I know I’m probably going to take a hit for this and I am not looking to start some firestorm.  I am simply bringing this up as a different perspective on the cost analysis of high-end digital cameras such as the D3X for the professional photographer.

Now that that’s out of the way, the thought occurred to me the other day that, even though the price of the D3X seems to be extremely high, the sticker-shock can be toned down if you compare the cost of the camera to what a professional shooting film would have to pay.  So see if this makes sense.

f6The D3X camera body sells for $7999 US.  Keeping in mind that this is the top of the line model for Nikon, we can then compare this to the Nikon F6 which sells for $1999 US.  (I picked the F6 because it is the top of the line, professional film body still being manufactured by Nikon).

The D3X has a shutter life of approximately 150,000 shutter actuations (pictures).  I didn’t find out how many actuations the F6 is good for but let’s assume that it is about the same.  Now, let’s put film in that camera and start taking 150,000 pictures.  A roll of Kodak Gold Max 400 print film will run you around $3.00 for a roll of 36 exposures.  Divide 150,000 by 36 and you get about 4,166 rolls of film.  Multiply that by the $3.00 price tag and you get $12,498.00.  Now add in the cost of the camera and your grand total adds up to $14,497.00.

d3xNow let’s look at the D3X.  We already mentioned the hefty price tag.  Now let’s add about $500 for compact flash cards and how about $2499 for a new MacBook Pro to process your images.  Add it all up and you are looking at a price tag of $10,998.00 for the whole shabang!

The difference in price to make 150,000 images is $3,499 in favor of the D3X!

Yes, I know that there are a ton of variables that I didn’t factor in, and that there are way too many arguments that could be made for less expensive cameras, and on and on.  The point I am bringing up is that working professionals don’t often look at the price of a camera the same way everyone else does.  Compared to the old way of doing business, they can buy the $8000 camera and still be way ahead of the game with respect to the old cost of doing business in a film-based world.  By the way, I didn’t even add in the cost of processing those 4,166 roles of film, ouch!

As always, your comments are welcome.

By the way, check out the first impressions on the D3X from my buddy Vincent Versace (here and here) as well as from Moose Peterson (here).

Related posts:

  1. Nikon D3100 Announced
  2. At What Price?
  3. You Get What You Pay For
  4. New Nikon for dSLR Video Shooters – The D5000
  5. Nikon D700…What’s the Point?
12 Responses to “Nikon D3X – The Price of Photography”
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  1. Bernie says:

    I agree completely Jeff. And having seen some of the images I think this camera is up with the medium format film quality. I would love to have one. I might settle for the Canon 5D MkII though.

    The price is out of the league of many of us but economic law says that if Nikon have set the initial price too high then they will suffer with poor sales. If the sales are good enough then the price cannot be too high. This may rile some of us who can’t afford it but it isn’t Nikon who makes economic law. They just want to make as much as they can. But they can only make what we are willing to pay. In the end prices are always dictated by consumers. If that was not the case then why would they stop at $8000? And why wouldn’t a D40 cost a million?

  2. Roger Dallman says:

    Even if the math worked out the other way, I’d rather have the D3X. Never understood why people get so angry about this stuff. If Nikon sells only 100 D3X, the price will come down. (Not holding my breath on that scenario!). But don’t listen to me – if I had to choose between getting back my 65 Mustang or my 98 Mustang, I’d choose the 98. I enjoyed the ride better in the 98.
    Roger

  3. mike meyer says:

    I think they are called Professional cameras because they are meant for working pros who can typically write this off on their taxes and make a lot of money with the camera so they don’t care how much it costs if it’s the best out there. But like I said on Mr. Kelby’s blog a while back, don’t get wrapped up in the whole “a new camera will make me a better photographer”. I have always said that it is better to use what you have to it’s fullest potential and then push it past it’s limits before upgrading.
    Hey Roger, if you want to give me your 65 mustang I’ll take it. That was my favorite of all mustangs. That’s a whole nother story :)

    mike meyer

  4. Jeremiah says:

    I’ll have to agree too, I can’t imagine how much I spend on film and processing every year with my ol’ Nikon 4004.

    Last time I was at Wolf Camera and asked for film, they gave me strange looks like I was from another planet!

    I finally found it in a dusty bin in the corner of the store.

    Someday I’ll make the switch and join the modern world.

    -Jeremiah

  5. Tanya Plonka says:

    This is why I covet my little bag of film I keep in my fridge. Oh sure, if I accidentally let it expire I lose the money anyhow, but every time I use it I can’t help but think “This shot costs 40 cents!”

  6. James Walker says:

    Yes, when you start comparing the price of film and processing to the digital camera, it all starts to look cheaper digitally. But, there are some rumblings now about how much our digital lives will cost us in the long run. We are storing all our huge photos on hard drives somewhere which are consuming energy over their lives. We tend to forget about this cost and I reckon it’s quite considerable.
    This is an interesting read about how much energy is consumed just for a simple Google search: http://technology.timesonline.co.uk/tol/news/tech_and_web/article5489134.ece

    James
    Freiburg, Germany

  7. jeff says:

    James,
    That’s an interesting perspective. Let me throw this one out to you, do you know what the carbon footprint is for processing and printing film? I don’t but I can say that between the chemicals that are used to process the film and paper, the process and materials that go into manufacturing the paper and film, and the electricity necessary to operate minilabs, I would have to think that it isn’t the most eco-friendly of photography options. Heck, the fixer used in bleach fix and regular black and white fixer is full of hard metals (silver) that can severely damage the ecosystem if not properly disposed of. Photography can be a messy business.

  8. James Walker says:

    Yes, agree with that Jeff. It would be interesting to look at all the alternatives and see what their carbon/environmental impact would be. I always thought photography was such an innocent pastime, but if you look at it closely, digital or film, it can make it’s own impact.

    I am trying to find the ‘greenest’ solution for my digital storage, but with the changing technology, it’s not easy finding something that will last a lifetime if not longer.

    James

  9. mike meyer says:

    Well if you burn your images to a DVD then they aren’t using any electricity. I have an external hard drive that I use as a back up and I will turn it off and unplug it if I’m not going to use it for a while. I used to keep every film frame because what if that was the shot someone was looking for it could be worth millions and National Geographic would definitely want me to do an article about it. Now with digital I edit heavily even with unretakable images of my children (what if I never get that look again). If you make two copies of your DVD’s and store them in seperate locations they should be safe for eons. Or at least until the Terminators come.

    mike meyer

  10. Jeff:
    While it makes for an interesting comparison, it is totally irrelevant in this day and age as a potential justification for purchasing the D3X. The more appropriate comparison would be to match the D3X to the Canon 1Ds Mark III. Film and developing costs will always outrun the costs of digital over the life of the cameras since there are virtually no operating costs associated with a digital camera. I don’t know why there is this rush by you and Moose and some others to justify the price tag for this camera. It is a step backward by Nikon. I own the Canon 1Ds Mark II and the Nikon D3. After six months of using both cameras side by side, the Nikon now gets much more use than the Canon for a variety of reasons, not least of which is the ease of use of the Nikon that comes from the thoughtful placement of controls most often used by a photographer. When is Canon ever going to learn about bracketing and mirror lock up? It isn’t rocket science! In addition, I regularly print on 17×22 paper and even larger with the D3 images and they do not even begin to break down. So why would I want to lose the exceptional low light, high ISO capability of the D3 for the excessive pixel loading of the D3X? The answer is I wouldn’t, even if the price of the D3X were more reasonable. So, as a favor to the camera-buying public, let’s not provide rationalizations to Nikon for a poor decision. Instead, let’s applaud them for creating the D3 and support them in making revisions to that camera, like in-camera dust removal and higher dynamic range, and stay away from the silly pixel wars that do none of us a favor when they reduce the ability to shoot handheld in low light situations.

  11. David says:

    The following information about the D3X was cut directly from the Nikon USA website:

    “a self-diagnostic shutter mechanism tested to exceed 300,000 cycles”

    And the following information was cut from the Nikon F6 brochure (available on the Nikon USA website)

    “and a shutter that has undergone testing up to 150,000 cycles”

    You may want to do a bit of recalculating.

  12. Peter Schnell says:

    You have missed a couple of points though I must agree that the price is not as steep as some would make out – in fact I like it if not everyone can afford the best!

    * The shutter life of a D3 is 300,000. I think the D3x is the same.

    * The F6 may be currently manufactured, but the technology is say 6 or 7 years old! Now allow for inflation and the present price of the D3X is not so steep.

    – If I have a concern it would be 1.5 frames per second at 14 bit settings.

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